This is a portion of the line drawing that I will use as a basis for a painting of Camassia. I like using drawing paper with a smooth but tough surface, like Bristol Vellum, for the initial line drawing so I can erase to my heart’s content while I adjust the drawing and composition. Next […]
Cabbage Drawing, SBA Sketchbook
I am starting on my diploma portfolio as I near the completion of the SBA course in March. Above is my initial drawing for the vegetable or fruit assignment…lots ‘o shading of crinkly leaves ahead! I recently hit the veggie jackpot when I visited the Portland Farmer’s Market. Even in December, they had lush stacks […]
Polypodium and Oxalis, SBA Assignment 8
Licorice Fern, Polypodium glycyrrhiza, forms a soft muff on the branches of trees in winter here in the Pacific Northwest. The wiry roots cause the rhizomes to cling to rocks and tree branches, usually under a soft coating of moss. In the winter when the trees are bare and colors are bleak, the green fluffy […]
The Road Map, SBA Assignment 7
I find it helpful, even essential, to make a road map of where I am going with a botanical painting. This is where I try out my composition ideas and do a tonal study. Here I can freely erase and rearrange without the fear of damaging the delicate surface of my watercolor paper. Once I […]



This blog is about my journey as a botanical artist--what I am learning, what inspires me and what I am currently drawing or painting. My desire is to continually hone my skills to better express my wonder and gratitude for the beauty of the creation around me in the Pacific Northwest (USA).